Game Sticking Points

As I improve my game skillset, I will focus on a few sticking points I’m struggling with in a day and night setting. Therefore, this post will serve as a daily schedule to work on the following issues.

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Night Game:

Active

  • Mindset (Play-to-Win). I’ve discovered during my day and night game sets I play to not lose instead of playing to win. According to Todd, playing to NOT LOSE is the same as losing. I can’t have a good set, it’s not enough. Instead, I need to have GREAT sets. Now that I’m aware of this, before I even go out, before I approach, I must play to WIN.

Completed

  • Escalation (kissing). During my deep dive into the night trenches, I’ve discovered I’m capable of escalating physically (ie. groping her ass and tits, grinding, etc), but incapable of kissing the girl on the lips. I believe this stems from my fear of developing an emotional attachment with a girl. However, this needs to be fixed.

    During night game, my primary goal if I successfully escalate physically is to kiss a girl on the lips. No ifs ands or buts.

On Hold

  • Premise (spontaneous). While I’m starting to learn how to open spontaneously at any day game set, one thing I’m going to focus on is delivering push-pull premise lines on-the-spot. Most of the time, I state canned push-pull lines hoping to get a response out of the girl. Lo and behold, they don’t work. As Todd V states, premise lines only work if they’re spontaneous without any agenda attached to them.
  • Opener (spontaneous). During the opener, I discovered I get a far better response rate if I do a Man-to-Woman direct friendly or observational opener spontaneously. What does that mean? I say what’s on my mind without thinking about what to say beforehand. It comes off as far more genuine, more natural, than a canned opener that sounds robotic af.

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Day Game:

Active

  • Mindset (Play-to-Win). I’ve discovered during my day and night game sets I play to not lose instead of playing to win. According to Todd, playing to NOT LOSE is the same as losing. I can’t have a good set, it’s not enough. Instead, I need to have GREAT sets. Now that I’m aware of this, before I even go out, before I approach, I must play to WIN.

Completed

On Hold

  • During day game sets, I need to learn to bask in social pressure. For example, during my mall approaches, after remarking that I loved this girl’s jacket, I asked “Where did you get it?” instead of “I’m Adam.” The reason why I asked where she got her jacket – even though I didn’t give a flying fuck – was to decrease pressure in the interaction so it becomes more like a casual conversation than a Man-to-Woman one.

    During day game, after the opener, introduce myself.
  • Premise (spontaneous). While I’m starting to learn how to open spontaneously at any day game set, one thing I’m going to focus on is delivering push-pull premise lines on-the-spot. Most of the time, I state canned push-pull lines hoping to get a response out of the girl. Lo and behold, they don’t work. As Todd V states, premise lines only work if they’re spontaneous without any agenda attached to them.
  • Opener (spontaneous). During the opener, I discovered I get a far better response rate if I do a Man-to-Woman direct friendly or observational opener spontaneously. What does that mean? I say what’s on my mind without thinking about what to say beforehand. It comes off as far more genuine, more natural, than a canned opener that sounds robotic af.

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